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Jeff Gordinier (2020).  In Jorie Graham’s Poetry, the End of Days and the Pleasures of the Flow. New York Times Book Review.
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Sarah Howe (2017).  Interview with Jorie Graham. PRAC CRIT.
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Galgano, Andrea (2017).  Il posto di Jorie Graham. Frontiera di Pagine: saggi critici di psicologia dell’arte, poesia e letteratura. 2, 793-799.
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Dwight Gardner (2015).  In Jorie’s Graham’s ‘From the New World,’ Flux Is a Whirling Constant. The New York Times.
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Calvin Bedient (2012).  Infected by Time. Los Angeles Review of Books.
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JP O'Malley (2012).  Interview: Jorie Graham's poetry. The Spectator.
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Katia Grubisic (2010).  Instructions for Building the Arc. Fiddlehead.
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Wengen, Deidre (2008).  Imagining the Unimaginable: Jorie Graham in Conversation. phillyBurbs.com.
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Gardner, Thomas (2006).  Interview with Jorie Graham - Thomas Gardner. A Door Ajar: Contemporary Writers and Emily Dickinson.
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Vendler, Helen (2002).  Indigo, Cyanide, Beryl: Review of Never. London Review of Books.
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Graham, Jorie (2001).  Introduction: Something of Moment. Ploughshares. 27/4(86), 
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Longenbach, James (1997).  Identity, Vision, Style. The Nation. 265(3), 
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Shifrer, Anne (1995).  Iconoclasm in the Poetry of Jorie Graham. Colby Quarterly. 31(2), 
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Jericho Brown, Jorie Graham (2020).  Jorie Graham presents "Runaway" with Jericho Brown (VIDEO).
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Santos Domínguez (2020).  Jorie Graham. Deprisa. ENCUENTROS DE LECTURAS.
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Alberto FRACCACRETA (2019).  Jorie Graham: «La poesia e le seduzioni del postumano». Avvenire.
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Adam Fitzgerald (2017).  Jorie Graham’s Poetic Autopsy for Self and Nation. The New York Times Book Review.
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Edemariam, Aida (2017).  Jorie Graham: ‘I am living in the late season, but it has its songs, too’. The Guardian (UK).
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Craig Morgan Teicher (2015).  Jorie Graham’s ‘From the New World’. The New York Times Book Review.
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Marco Denti (2014).  Jorie Graham. BooksHighway.
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Weston Cutter (2012).  Jorie Graham's P L A C E. The Kenyon Review. XXXIV,
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Anon (2009).  Jorie Graham's Sea Change. delirium's library.
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Spiegelman, Willard (2005).  Jorie Graham's "new way of looking". How Poets See the World: The Art of Description in Contemporary Poetry.
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Gardner, Thomas (2005).  Jorie Graham; Essays on the Poetry. Abstract
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Byrne, Edward (2004).  Jorie Graham: Never. Valparaiso Poetry Review. 5,
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Otten, Thomas (2003).  Jorie Graham's ____s. PMLA. 118(2), 
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Gardner, Thomas (2003).  Jorie Graham's End of Beauty and a Fresh Look at Modernism. Southwest Review. 88(2-3), 335-349.
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anon. (2002).  Jorie Graham (1950 - ). Poetry Foundation. Abstract
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Thomas Gardner (1999).  Jorie Graham's Incandescence. Regions of Unlikeness: Explaining Contemporary Poetry.
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Altieri, Charles (1998).  Jorie Graham and Ann Lauterbach: Towards a Contemporary Poetics of Eloquence. Cream City Review. 12(Summer), 45-72.
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Spiegelman, Willard (1998).  Jorie Graham's New Way of Looking. Salmagundi. 120, 244-275. Abstract
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Longenbach, James (1997).  Jorie Graham's Big Hunger. Denver Quarterly. 31(3), 
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Vendler, Helen (1995).  Jorie Graham: The Nameless and the Material. The Given and the Made: Strategies of Poetic Redefinition. 91-130.
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Vendler, Helen (1995).  Jorie Graham: The Moment of Excess. The Breaking of Style: Hopkins, Heaney, Graham. 71-94.
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Costello, Bonnie (1992).  Jorie Graham: Art and Erosion. Contemporary Literature. 33(2), 373-395.
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Bedient, Calvin (1990).  Kristeva and Poetry as Shattered Signification. Critical Inquiry. 16(4), 807-829.
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Rachel Hadas (2020).  Lightning in a bottle. The Times Literary Supplement.
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Andrea Galgano (2019).  L’oltre-tempo di Jorie Graham. Cronache Lucane.
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Marta Sans (2014).  Los distintos géneros literarios desde los que se practica la política . El Confidencial.
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Tiziana de Rogatis (2014).  Letteratura e arti. allegoria.
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Claudio Magris (2013).  La poesia ricuce il mondo. Corriere della Sera .
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Josep Massot (2013).  Los sentidos son lo único que no miente. La Vanguardia.
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De Zaitegui, A. Sáenz (2007).  La Errancia. El Cultural.es.
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Halpern, Nick (2002).  Louise Glück and Jorie Graham. Everyday and Prophetic.
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Tiffany, Daniel (2001).  Lyric Substance: On Riddles, Materialism, and Poetic Obscurity. Critical Inquiry. 28(1), 
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Molesworth, Charles (1998).  Living in the World. Salmagundi. 120, 276-284.
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Bedient, Calvin (1998).  Like a Chafing of the Visible. Salmagundi.
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Morris, Robin A. (1997).  Looking Back at the One Who Looks: Jorie Graham's Orpheus Sequence. Religiologiques. 15(printemps), 
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Gander, Forrest (1997).  Listening for a Divine Word: Review of The Errancy. The Boston Book Review.
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Olsen, William (1992).  Lyric Detachment: Two New Books of Poetry. Chicago Review. 38(3),  Abstract
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